Tag: pitch tendencies

Looking for a Pitch Tendency Chart?

February 7, 2012 at 8:42 pmCategory:Practicing the Flute

I’ve noticed that one of the most popular pages on this blog is the page on creating a pitch tendency chart. I have a feeling that what people are really looking for is a chart that will tell them what the pitch tendencies of the flute are, so I thought I would explain why I haven’t provided such a thing, but instead tell you how to create one for yourself.

While there are some pitches on almost all flutes that can be counted on to be sharp or flat intonation-wise (c# in the staff, e and f# above the staff), individual players and different flutes will each have their own tendencies for all the other notes. A note that is flat or sharp for one person may not be for another. And if you play on different flutes for different purposes, especially if you play alto, bass, picc, etc., you will want to chart your tendencies on those flutes as well.

There are two purposes for charting your pitch tendencies. One is so that you will know what your own tendencies are so you can learn to adjust for them. The second is that just by doing the work of charting your tendencies, you become more aware of your tone production and improvement begins almost automatically. This is why I don’t provide a chart of generalized pitch tendencies, because they might not apply to you! So spend a little time, make a nice chart and start measuring your own personal pitch tendencies. You might be surprised at what you find!

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Flute Overhaulin’

March 27, 2011 at 4:07 pmCategory:Uncategorized

Wow! Just got my flute back after a long overdue overhaul and I cannot believe the difference! The sound is so resonant, the low notes come out without coaxing, and the runs really rip. It’s amazing!

Finding good repair people can be really difficult, but I have had excellent luck sending mine to the US distributor for Miyazawa Flutes, West Music in Coralville, Iowa. I play a hybrid, a Miyazawa PCM body with a silver Powell head, so sending it to the Miyazawa shop just makes sense to me. The tech Erik did such a great job! It was a complete overhaul, new springs, new corks, those fancy Straubinger pads, and a thorough clean and polish. It looks like a new flute, it is so shiny now. They even crafted and installed a brass nut to replace the washers and putty that I had put in the crown when I was experimenting with adding weight to the head, ala Patricia George. I bet that was a nasty little surprise when they pushed out the cork!

Because it has a ‘foreign’ head joint, all the repair techs had to try it out. The reviews sounded favorable, but Erik did comment on my “funny old head joint”. I had to politely point out that the body is older than the head.

My poor flute had gotten so bad that I was convinced that I needed a new flute (of course, who doesn’t think that!), but now I think I can hang on a little longer. Though I take great pride in being able to do basic cleaning and oiling and make some adjustments myself, I will definitely not let it go so long next time. I’m always telling students to go get their flutes fixed, it’s about time I followed that advice!

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