Tag: flute practice tips

Explanatory notes about Practice Diary

July 30, 2013 at 7:19 pmCategory:Practice Diary

In the Practice Diary, I’ve made some references to exercise books that I use. In the posts I’ve referred to them using mostly commonly known abbreviations, at least for people who had experience with them, but not everyone may know what they mean, so this is a short post explaining what the are. In a later post I plan to explain why and how I use them.

‘EJ’ stands for 17 Grands Exercises Journaliers (Daily Exercises) by Paul Taffanel and Gaubert. This is one of the most enduring exercise books, I call it one of the flute Bibles. I use Exercise number 4 (EJ4) almost every time I practice to establish a baseline for tone and articulation consistency in many keys and all registers.

‘Moyse’ is another flute Bible. The exercises in Marcel Moyse’s Exercises Journaliers are designated by letter, but there are several exercises that share the same letter so I’ve been referring to what the exercise actually is. So far I’ve only concentrated on one of the C exercises, triads, mostly for intonation and tone. If you’ve heard of James Galway’s scale challenge, this is the book you would be working out of. It covers much more than scales and is great for developing a good core tone that will work in all registers. You also need all the technique it offers.

I’ve also referred to one of Trevor Wye’s Practice Books, Book 1: Tone.

These books are all available through Flute World, www.fluteworld.com, if you can’t find them other places. The first two are not cheap, but they have been standards for many decades, and for good reason! Used properly and practiced conscientiously, they will help you develop the fundamentals of technique that will give you the tools you need to play just about anything.

Any time you want something in the Practice Diary explained, just let me know! It may take a couple of days, but I will at least get the basic explanation to you ASAP.

Happy Practicing!


Nina Perlove and Jaw Movement

July 29, 2013 at 6:28 pmCategory:Flute Treats

I just had to share this. Nina has a lot of great ideas and is a very good teacher. She also makes some fun videos. This one mixes teaching and humor, so enjoy!


Practice Diary 7/27

July 27, 2013 at 4:56 pmCategory:Practice Diary

Back at it! Maybe I should move these posts to a different section of the blog, I could make another page to post on. I’m afraid the main page will become too cluttered.

On to the practice:
- kind of rough beginning with EJ4, CM
- did Cm and am both slurred to get settled in
- the sound is good, takes awhile to get comfortable physically, though, if I ever get comfortable!
- feet not too angled, 90 degrees does not work for me, almost feel like my backside is sticking out
- let shoulders both be back so right shoulder does not engage
- breathe in through nose, etc, etc, and blow!!
- aim air at that very small strike zone rather than wandering all around
- new articulation pattern to add, pitched pops, all articulation, no tone, really hard to not make a tone, eventually have to expel some air since none really goes out
- end GbM

sound is more consistent overall, meaning that I have to spend more time ironing out the inconsistencies, which takes longer

played 3rd mvt of CPE Bach solo sonata
- biggest fix, on the leaps down, the first low note is not speaking quickly or clearly enough, work on smoothing that out with a lot of breath attack practice and ‘target’ practice
- neck is good, especially after doing yard work, organizing the upper back is the biggest thing

ready for more!


Practice Diary 7/24

July 27, 2013 at 4:45 pmCategory:Uncategorized

started with EJ4 at CM
- focus is good, D#’s are much better today, must not be much of a leak
- air attacks and clipped articulation are pretty crisp, appropriately aggressive
- remember the good physical set up!
- arms are getting better
- tkt ktk is really awkward, I’m not always sure I am doint it, maybe should slow it down so I can be more mindful?
- Db’s in Gb M are so high! have to play it slower to add fingers and bring it down, errr…

Moyse triads CM to DM with tuner, up to DR
- keep root pitch in ear, match it internally, actively pursue the intonation
- keep good posture! bring flute to face!!!

wanted to play some music, so blew through the Sarabande and Badinerie of Bach Partita

I may be a bit Romantic on the Sarabande, but I belied that Bach was a very passionate man, and I like to indulge in making the gestures as clear and noticeable as possible

should try recording these things to see if they sound as rough (or polished) as I think they are, something to check out on the new Smartphone

feels good to just blow so openly, once I can add some time to practice, I will be able to do some serious work, maybe next week add a secont, shorter session, neck felt good all day, yay!


Practice Diary 7/23

July 23, 2013 at 6:37 pmCategory:Practice Diary

Neck was stiff this morning, enough to be bothersome but not enough to inhibit movement. After my stretches it was better, so we’ll see how today’s practice affects it. From reading this, you might think that I am in some sort of rehab for an injury. I have arthritis in my neck and sometimes I do things in my playing that aggravate it, like pushing my neck into weird and completely unnecessary configurations. I’m taking a cautious, mindful approach to getting back in performing shape because if I overdo it, I won’t be able to do anything for awhile, let alone play. No pity called for, it’s just another challenge on the journey. You’ll see a lot of comments about posture, alignment, and observations on how different parts of my body feel as I am playing. This is how I monitor and minimize unwarranted physical stresses in my practicing. If I don’t, I injure myself, it’s that simple. Maybe some of the things I try can be helpful to you in working on your own challenges.

- tone warmup from Trevor Wye’s tone book, page 11 or 14, I can’t remember which, I have it memorized. It’s about energizing the air to make smooth leaps
- sound is nicely smooth and steady
- I’m letting my head turn more to the left rather than looking so straight ahead, don’t push it, let it turn!

harmonic on C up to Bb3
- unusually good expansion of ribs, all the way down into pelvis, is this what it means to feel the support in the pelvic floor? hmmmmm….
- right arem is still feeling strained
- air is nicely full and direct

Paganini Caprice #11, the staccato section to end
- all breath attacks, combining exercise with sight reading
- not really separating the air sufficiently for crisp attacks, but have no problem navigating the leaps
- tone is pretty good, air is moving forward well

I seem to have found a really good set up from the floor up where the expansion is really good and free, and the music can really flow out (if I were playing any music!) My right hipbone feels a little out of place, but it seems to work; I can maintain a good alignment all the way up. Can I do this sitting? If I can remember how to do this consistently, will have to translate it to a sitting position, that is where my real posture problems lie.

Right arm and elbow want to fly away from my body (come back, elbow!), creating stress, but that can be worked on

- timer went off, but finished to dt on single pitches, G#m to CM
- have to keep air focused on single (good) spot on the strike wall, otherwise the tone goes splat all over the place
- double and triple tonguing are already better, less air disturbance on the articulations
- what is with the D#’s!!? better check for a leak